Being around guitars long enough help you develop a fine eye for ignorant guitarists. Everyday, you meet and greet boys who have grown up looking at Eric Clapton, Robert Cray, Jimi Hendrix, Slash, John Mayer etc. playing guitars like Fender and Gibson. On account of this, these boys assume that such brands manufacture paramount guitars. Heck, after an hour or so of detailed discussion of specifics, I’m asked, “BRO, HAVE YOU EVEN PLAYED A FENDER STRAT?!”. Yes, I have. While I’m not saying its good, bad or ugly; I’m saying that today, there are several other brands who have come to improvise the Fender Stratocaster style. One such brand is Godin. Based in Montreal, Canada, Godin guitars introduced the “Progression” in fall of 2009. The Progression is one of the few guitars today that stands out in a super-saturated strat-style guitar market.
Featuring a Silver Leaf maple center and Poplar wings, the progression also boasts of a rock maple neck with an option of either a rosewood or a maple fingerboard. You know a guitar is Canadian to the core when its entirely made out of maple. Apart from that, it has three single coil Godin GS-2 pickups, 5-way switch with one volume pot, one tone pot and what Godin likes to call an “H.D.R”. The “High Definition Revoicer” is what sets apart the Progression from the rest. This tiny black button re-voices and augments the frequency range of each pickup and allows the player to go from a passive to an active pickup signal. Right there, you get 5 active tones and 5 passive tones. So this is the only thing that makes it different from any other Strat? NOPE. The stock fitted Godin GS-2 pickups are unlike any other single coil pickups in the market today. On looking closely, the magnets on the GS-2 are what can only be described as “a giant opera singer” or “King-Kongs mother”. Kidding aside, the magnets are bigger, better and produce a beautiful definitive SPANK which is always by appreciated by a true strat lover. Not just that, the guitar neck is unlike any other. The Godin Ergocut shaping technique bevels the edges of the fingerboard and frets back in towards the center of the fingerboard providing an extremely comfortable feel. Might take some getting used to, but well worth it once you’ve gotten your hand around.
As for the sound, the Progression is no stranger to a clean tone. While it replicates a nice tone on the bridge, it contrasts the same on the neck pickup with a swollen mellow tone. When using both neck and middle pickup, its the perfect for all chordsy yet riff congested patterns. However, the neck and middle pickup position is not very appealing but does a lovely job of adding that extra bite or texture to your sound. Extra bite? Who’s complaining? If completely driven with amp overdrive or other overdrive pedal units, the progression feels somewhat out of place at loud volumes. With a tiny little adjustment of the volume pot, all of that changes. The drive beautifully compliments the clean guitar tone which only makes you feel like the guitar gods are watching over you. A few minutes of carefully checking every detail of the guitar, its not hard to tell that Godin took out the time to fine tune the guitar to its finest. The guitar deserves all the praise given to it on account of its high grade hardware. Everything, from action, string tension to pickup height, the progression is extremely easy to adjust to your liking. Keeping tone, hardware and construction in mind, this guitar is a definite winner in the strat race. If you’re looking for a high gain-metal crushing-gut wrentching tone, this guitar is not for you.
Its for everyone who knows what a strat is capable of. From jazz to blues to even rock players will tell you that its a guitar you should watch out for. At Rs.66,375 its an expensive choice but is well worth the money and is a great alternative to a US manufactured Fender Stratocaster. So what are you waiting for? Check out this guitar today at Bhargava’s Musik and experience a strat like never before.
What we liked- Well…Pretty much everything.
What we didn’t like- The ergocut neck takes some getting used to.
Verdict- 4/5 (Kickass)
Alternative- Fender Deluxe Strat or a custom shop guitar.
Every guitarist today will tell you that an all-tube amp is what you need… and you would agree! So, why do you still play on a tiny 10watt solid state Marshall MG10 in your room, hopelessly convincing yourself that it’s giving you the tone you want? Here’s the truth, you’re an Indian musician… You can’t afford a tube amp and neither can I. Because of this, you fill up your pedal board with a plethora of pedals and processors assuming that maybe that’ll ‘fix’ your sound. Before panic takes over, relax… Your sound isn’t broken, it’s just not constructed right. You need a real amp. A tube amp. Hence, Orange amplification came up with the Micro Terror. The Micro Terror is a 20 watt single channel hybrid amp head. Hybrid implies that the amp has a tube preamp and a solid state power amp. It’s the 21st century…If we can have hybrid cars, we can have hybrid amps.
The Micro Terror has an ECC83/12AX7 preamp tube for that classic gain reminiscent of David Gilmour or Jimmy Page driven tones. Equipped with a volume, tone and gain knob, the amp also has a 1/4-inch jack headphone output and 1/8-inch jack aux input to jam to your favourite backing track, drum loop, mp3 etc. Measuring 6.5 inches in width and weighing 0.85kg, the Micro Terror is housed in the same steel casing as the other terror series amps. Built portable and strong. Sounds like a good option for a tiny little practice amp for home, right? Yes and no. While Orange has designed a cabinet with a single 8-inch speaker, the Micro Terror with a minimum 4ohm impedance output, can drive an 8ohm or a 16ohm cabinet without ANY hiccups. So, is Orange seriously suggesting that you use the amp on stage whilst plugged into a 4×12 cabinet? Of course they are.
I plugged in a Godin Progression(Strat-style) guitar into the amp which was plugged to an Orange PPC108 cabinet. With the volume knob pointed at 2 o’clock, tone at 12 and gain at 8 . I was welcomed to a lovely old school blues tone. Just the perfect amount of drive to deliver the much desired Buddy Guy sound. But, one must admit… When not accompanied by another instrument, the PPC108 felt bland and left me with the undying urge to crank up the gain all the way. The result of pushing the gain to its absolute limits was well received Sounding much like a ZZ-top track tone, the beautifully voiced Micro Terror was now ready to be plugged into a PPC412 (4×12 cabinet). Toying around with the controls, it was realized that the amp wasn’t meant to be clean. Sure, you could clean it up by tweaking the volume pot on the guitar or reducing the gain on the amplifier itself, But its easy to tell that it aches to be abused. It sang clean beautifully but, it took me no time to realise that it wanted to scream. Oh and it did…What came as a shock was how loud the amp could get! Screaming with character, the Micro Terror is the next best thing to its older brother (Tiny Terror) at a fraction of its price.
At Rs.7870, it’s hard to suggest any other amplifier in that price bracket. While we dont suggest that it replace your all-tube live amp, we do suggest that it play the part of an awesome back-up amplifier and an imperative part of your guitar bling-bling.
What we liked- 1. Compact, portable and strong. Perfect to carry to live performances. 2. Affordable 3. Looks so cool, you could hang it around your neck and wear it as an accessory.
What we didn’t like- 1. Lack of control. Provision of a 3-band EQ would have made a guitarists decision easier.
Verdict- Its an amp head you cannot go wrong with. Its pocket friendly, easy to use, portable and can deliver that Terror series voice we crave for. Grab one today..they’re not hard to find. Orange amplifiers are available at Bhargava’s Musik stores in Mumbai.
Rating- 4.5/5 (Okay…bit of a pickle. a 5/5 is Sexbomb and 4/5 is Kickass. I guess this rating makes it Kickbomb…or something.)
Alternatives- Absolutely none (why even bother?)
—– Rohaan Talsania ——