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Apogee ONE Audio Interface Review

Apogee OneThis is the ONE that prophecy spoke of! The chosen ONE that will bring balance to the force! The ONE that sees the Matrix! The ONE with the power to vanquish the Dark Lord!! I could go on and on, but the simplicity of this audio interface deserves more than just pop-culture references. This thingamajig is the travelling musician’s gift from God. From Apogee rather.

Apogee is known for its quality, and the ONE does not disappoint. Considered to be the younger, cooler, more “hip” sibling of the highly acclaimed Duet, it was thought to be only an interface for beginners. Pfft! Apogee only proved that the ONE is no rookie. This baby gives absolute pristine studio quality of sound from each one of its inputs (i.e. the External Mic, the External 48V Mic, the Internal Mic as well as the Instrument input) while easily competing with the lucidity of the Duet or the Quartet.The only place it falls short is the sample rates it can operate up to, which is 48 kHz, rather than the 96kHz of the Duet. Simply put, it IS a simpler piece of machinery. It comes with Apogee’s Maestro software, a USB cable to connect to your machine and a breakout cable with an XLR input and quarter-inch jack. And that’s all you need!

The ONE has been custom made for Appleproducts, which is one of the best parts (or worst, if you’re an Android person) about the interface. Once connected to your Mac/MacBook it makes the task offirst-time recording much less frustrating as compared to any other interface. And for the seasoned travelling/touring musician who needs to compose and record his/her entire album on the go, this is ACTUALLY POSSIBLE now with the ONE and only ONE…and only…ONE… and only…

one-gallery8_lgSooo if you’re a songwriter, in a room by yourself, or on a long (empty-ish) flight even, all you’d need is your laptop and the ONE to record all you want through the inbuilt microphone (easily my favourite feature), and VOILA! You have that studio-like clarity and a great sounding song about how bad in-flight entertainment is getting.

Lastly, being in India, EVERYTHING is capable of being a victim of humidity. The ONE, given it’s size and portability even gives you the advantage of being able to pack it up, put it away and save it from dying a slow and rusty death (which is exactly what happened to my previous audio interface goddammit!). Look at us, exploring environmental issues and all. Let’s just give this thing a SEXBOMB rating already, yes? But before that,

Price in Market: 13,500/- Head over to www.bajaao.com to pick it up! For the link, click here.

What we Liked:

  • USB bus powered. (No batteries or adapters to carry around)
  • One knob to rule them all. (No more fumbling through an arsenal of buttons and faders!)
  • Tremendously powerful inbuilt studio-quality condenser microphone.
  • Unboxing to actual recording takes all of 5 minutes.
  • It is no bigger than your iPhone (possibly lighter too).
  • It’s CHEAP!! (Relatively)
  • It is possibly the best single channel audio interface out there.

What We Didn’t Like:

  • One drawback is the length of the USB cable provided, which may leave you restrained if you have a Mac with USB inputs too far away from you. Well, in that case, shit happens.

Verdict: This is THE ONE.

Rating: 5/5 (SEXBOMB)

Alternatives: Tascam makes many a portable interface, but quality-wise and feature-wise NONE match this ONE.

——Ankit Dayal——

Your digital has a beef with my analog

Vector-Background-YellowPink-StarA lot of highly exciting things have happened in music technology and have been happening for a very long time. Watch Sound City: a beautiful documentary about the legendary Sound City studios, which had to shut down because it couldn’t compete with the advent of modern recording technology. It is a tragic story for some but to some it is the onset of new and exciting ways to make music. In essence some like the rawness of music and some like the sophistication. What I am talking about is the struggle that every musician faces at some point: the question of digital versus analog sound. Through the course of this article I want to explore both approaches and clear up a few things along the way.

So, most musicians know that analog sounds are warmer whereas digital sounds are clearer, and in this regard it is each to his/her own. The kinds of music one wants to play usually determines which kinds of sounds one uses. To give a few examples, Jack White is a firm believer in the analog way of doing things, whereas Trent Reznor has been using digital tools to great effect for very long. Listen to their records and you will see the difference as clearly as possible. Many musicians believe that an analog sound has a closer relationship to the musician. The rawness of having just a musician and his talent to help him is the attractiveness. Digital on the other hand can provide you with great levels of finesse and help you to hone the rawness into clear sounds.

Both ideas and schools of thought have their own power and can be used very beautifully by any musician. One needs to identify the right method of using them. Now before we proceed any further, lets just be clear on a point: any kind of a sound, be it analog or digital is just like an instrument- you need to know how to play one.

In guitars, for example, the popular way to get effects in to your sound is by using a digital signal processor. Or as some people call it: Multi-Effect pedals. Many musicians, especially in India, love using them. They are convenient and can do just about anything there is to do with guitars. You don’t need an amplifier; you can just plug in and go. They have a wide variety of sounds ranging from the bizarre to the usual. Now these processors have a certain kind  of sound and one needs to use those sounds as a tool for the music one makes. Many a time I have heard from a whole bunch of musicians that “digital is shit” and other such sentiments. This however is not really true. It only depends upon what one decides to play. If I wanted to play Nine Inch Nails or other such industrial or electro stuff, there’s nothing like digital processing to give you highly complex and many-layered sounds. I wouldn’t play the blues like that though.

The choice, at some point, becomes a bit genre specific. However, one must also understand that genres in today’s world, don’t mean very much. No one is really afraid to experiment around genres anymore and the album Odd Soul by Mute Math actually goes out and slams my previous statement about blues and digital sounds to the ground.

Experimentation is really the key here. I am a convert from digital to analog, but both sounds never cease to impress me. Now there are digital processors that can sound indistinguishably analog and analog processors that can do some really wild stuff. Your sound could be found by just a little experimentation and research. And of course one mustn’t be afraid to mix and match as well.

I’m pretty sure you can distill this article into the phrase: ‘Try Before Buy’, but I’m also sure you knew that already.